Saturday, August 13, 2011

Historic Political Cartoons

An editorial cartoon, also known as a political cartoon, is an illustration containing a commentary that usually relates to current events or personalities. They typically combine artistic skill, hyperbole and biting humor in order to question authority and draw attention to corruption and other social ills. Read the Terms of Use before downloading these diagrams and click on the image to retrieve the largest size available please.
Printed and published by none other than Benjamin Franklin, May 9, 1754. The fragmented parts of the snake represent the divided American colonies.
Early cartoon commemorating Washington's Death, December 12, 1799. The Federalist grieved over their greatest hero.
An editorial cartoon of Andrew Johnson and Abraham Lincoln, 1865, entitled "The Rail Splitter at Work Repairing the Union." The caption reads: (Johnson): "Take it quietly Uncle Abe and I will draw it closer than ever." (Lincoln): "A few more stitches Andy and the good old Union will be mended."
"To begin with, 'I'll paint the town red'." Grant E. Hamilton, The Judge vol. 7, 31 January 1885
This Northern cartoon (1863) shows the Union being threatened by political reptiles. The reptiles are wearing the hats typically worn by Midwest Democratic congressmen in 1860-65.
Cartoon by Nast. Pictured, Greeley and Tammany swallowing each other during the campaign of 1872.

More About Political Cartoons:

Friday, August 12, 2011

Graphic Organizers by Art Education Daily

In the future our staff will post here various graphic organizers that we draw or diagram for the art classroom. Read the Terms of Use before downloading these diagrams and click on the image to retrieve the largest size available please.

Above is a diagram for a "Cobweb" graphic organizer. Teachers may use this organizer to help students think about: who? what? when? where? and how? when reviewing artifacts/objects during a classroom discussion. "Cobweb" diagrams are best drawn on large pieces of newsprint or butcher paper.

Thursday, August 11, 2011

gwen frostic's old print studio

      Gwen Frostic was an artist, author, and Michigan Women's Hall of Fame inductee. She was born in Sandusky, Michigan to Sara and Fred Frostic. When she was 8 months old she suffered from an unknown illness that left her with lifelong symptoms similar to cerebral-palsy. Despite physical difficulties, Gwen showed an early interest and aptitude for art. In June 1924 she graduated from Theodore Roosevelt High School in Wyandotte, where she was known for using a band saw to create event posters for her school. She continued her studies at Eastern Michigan University earning her teacher's certificate and gaining membership in Alpha Sigma Tau sorority. In 1926 she transferred to Western Michigan University and left in 1927 without completing her degree.
      She continued her artistic endeavors in metal and plastic and taught an occasional class as well. Because metal shortages during the war, Gwen decided to print from carved linoleum blocks. She developed many designs for stationery goods, calendars and prints in order to develop product for her printing company, Presscraft Papers. In the early 1950s she opened her own shop where she sold her prints, books, and other items in Frankfort. In 1960 she bought 40 acres (160,000 m2) of land in Benzonia and on April 26, 1964 she opened her new studio and home to her customers. Frostic lived there until her death in 2001.
      Gwen Frostic was granted several honorary doctorates from Alma College, Eastern Michigan University, Western Michigan University, Michigan State University, and Ferris State University. In 1978 the governor of Michigan declared May 23 as Gwen Frostic Day in Michigan. In 1986 she was inducted into the Michigan Women's Hall of Fame. Western Michigan University named its school of art after her in 2007, after her 13 million dollar bequest to the University in 2001.: the Gwen Frostic School of Art. While given as an unrestricted bequest, the funds have primarily been used for scholarships for students, and for the benefit of the arts and creative writing departments in particular, in respect to her lifelong pursuits.
        Teachers may use the following photographs for the development of educational materials. I will soon include several art lesson plans about Gwen Frostic on this blog and it is likely my visitors will need the photographs for Power Point presentations. I snapped these photos of Frostic's studio and home during one of my many family vacations near Lake Michigan.
      Read the and agree to the Terms of Use before downloading photographs here.

The front entrance to Gwen Frostic's studio and home.
There is a little indoor pond just inside the front entrance to her studio.
Children love to watch the gold fish in the pond.
This is her library. It is full of very old books.
The Frostic studio still operates some marvelous old printing presses in the basement area of her home.
The public may purchase Gwen's poetry books in the shop. I just bought my first copy this summer, but my sister in-law has quite a few!
Here are the page samples of this year's calendar. Although Gwen passed away several years ago, she still has many friends who publish her work out of the old studio.
I  love this owl made from a pine cone.
Here is another shot of her old presses. These are fascinating to watch while they are in use.
Above the window visitors can see one of the carved linoleum blocks by Gwen Frostic.
More merchandise. The walls in her studio are made from giant boulders!
On the far left, you can see my younger child shopping for stationary, watch out! When she shops move over buddy!
One of the large ramps leading to the giant round hearth room at Gwen's old studio.
The giant round hearth room.
Print for sale.
A wall of glass where Gwen used to view the local wildlife from the comfort of her own home.

More Related Content:

Tuesday, August 9, 2011

zoomorphism in calligraphy

Calligraphy design of a dog.

 Calligraphy design of a wild boar.

Calligraphy design of a reclining unicorn.

Calligraphy design of an eagle for a marriage certificate.
Read the Terms of Use before downloading the following photographs and drawings. Click on the images in order to download the largest jpg. possible.

Teachers read more about zoomorphic design:

German Fraktur Clip Art

Examples of Fraktur Motifs












German Fraktur Coloring Page.


Read the Terms of Use before downloading the following photographs and drawings. Click on the images in order to download the largest jpg. possible.

Teachers read more about fraktur history:
Fraktur Article by Nancy M. Landis
Fraktur, Folk Art & Family by Corinne and Russell Earnest

Monday, August 8, 2011

Civil War Era Artifacts

Read the Terms of Use before downloading the following photographs and drawings. Click on the images in order to download the largest jpg. possible. I will also include historic, political cartoon artifacts under their own category in the future. There are a few from the Civil War era here.

Dark lanterns were used at night by civil war soldiers.
A sample microscope from the late 1800s. This version is in Grant's Museum in St. Louis, Missouri.
Women wore pantaloons under their skirts during the Civil War.
Above is an example of a mourning broach worn in memory of a loved one who passed away. Mourning jewelry made from hair of the deceased was often worn during the civil war.
This bed warmer was used during the mid 1800s. People would fill the small drawer with hot coals slide it into the box and shut the small door. The heat would then rise through the holes in the top of the box that was kept either under a bed or under the feet of a person to generate warmth.

This is a very fine example of a civil war era candle mold. 

This is a very fancy butter, press mold depicting a cow, tree and field. Such items were very popular in the mid 1800s.
A school master's desk from the civil war era. The desk serves as both a podium and a work space. Teachers could either stand or sit on a tall stool while lecturing or observing students in the school house. Important papers could also be locked inside the desk for safer keeping.
Civil war era ink well.
"Sunday Toys" were played with quietly after church during the mid 1800s. This little Noah's ark with animals was carved in Germany and most likely brought to America by a German immigrant family during the 1800s.
People during the civil war frequently wore gloves. These examples are from Grant's Museum in St. Louis.
This sample Fraktur is typical of family records produced by German immigrants. This folk art tradition was practiced during both the 1700s and the 1800s. In fact, there are fraktur artists that produce family documents in our own century! This particular sample comes from the photo collections at Wikipedia.
Just after the Civil war, ladies wore bustles under their skirts to give themselves fashionable shapes.
These are tools used in a tannery from Grant's Museum in St. Louis. Ulysses Grant's father owned and operated a tannery. Grant worked for his father when he was very young but did not want to be a professional tanner himself.
A small leather "housewife" carried by a civil war soldier contained threads, needles and buttons for wardrobe emergencies, of course!

Candle lantern used during the 1800s; glass keeps the flame safe from the occasional breeze and the wardrobe safe from hazardous flames.

Sunday, August 7, 2011

Biography of Nathaniel Lyon

Nathaniel Lyon, Commander of the Department of Missouri.
Nathaniel Lyon, an American general; born in Connecticut in 1819; graduated at West Point in 1841; was commissioned a captain ten years later, and in 1861 was appointed commander of the Department of Missouri. After winning several victories over the Confederates and gaining distinction as a brave and efficient commander, he was killed at the battle of Wilson's Creek, August 10, 1861.
General Lyon rides into battle.
The article comes from the Comprehensive Dictionary of Biography Containing Succinct Accounts of The Most Eminent Persons In All Ages, Countries, and Professions by Edward A. Thomas. Philadelphia: Porter & Coates. Copyright, By Porter & Coates. 1883.