Friday, December 31, 2010

art lessons about claude monet

 
"Now I really feel the landscape, I can be bold and include every 
tone of blue and pink: it's enchanting, 
it's delicious." Claude Monet

      Oscar Claude Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. Wikipedia.org

Links to Art Lesson Plans About Claude Monet and Impressionism

Wednesday, December 29, 2010

art lessons about jackson pollock

"I have no fear of making changes, destroying the image, etc., because the painting has a life of its own." Jackson Pollock

Paul Jackson Pollock (January 28, 1912 – August 11, 1956) was an influential American painter and a major figure in the abstract expressionist movement. During his lifetime, Pollock enjoyed considerable fame and notoriety. He was regarded as a mostly reclusive artist. He had a volatile personality, sometimes struggling with alcoholism. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Wikipedia.org

Links to Art Lesson Plans Based Upon The Life and Artworks of Jackson Pollock

storybooks that reflect diversity

 

      Art teachers should include stories that reflect diversity among people in their art lesson plans. Children need to learn that they share a world with many people from different countries, with different skin colors, who practice different politics and religions, and that culture is unique among a wide variety of peoples. 

Storybooks for children in my collections about Native American Legends or Native American Culture:
  • "Knots on a Counting Rope" by Bill Martin Jr. and John Archambault and Illustrated by Ted Rand
  • "The Lost Boy and the Monster" by Craig Kee Strete, Illustrated by Steve Johnson and Lou Fancher
  • "The Indians Knew" by Tillie S. Pine, illustrations by Ezra Jack Keats
Books for children on my bookshelf that are about Afro-American folklore, legends & traditions from Africa, or about African American culture:
  • "The Tales of Uncle Remus, The Adventures of Brer Rabbit" by Julius Lester, Illustrated by Jerry Pinkey
  • "Miz Fannie Mae's Fine New Easter Hat" by Melissa Milich, Illustrated by Yong Chen
  • "Anansi and the Talking Melon" retoldby Eric A. Kimmel, illustrated by Janet Stevens - "A clever spider tricks Elephant and some other animals into thinking the melonin which he is hiding can talk." publisher
  • "Aunt Flossie's Hats and Crab Cakes Later" by Elizabeth Fitzgerald Howard, Illustrations by James Ransome
  • "Harriet and The Promised Land" by Jacob Lawrence
  • "Chicken Sunday'' by Patricia Polacco
  • "Amazing Grace" by Mary Hoffman and Caroline Binch
  • "Tar Beach" by Faith Ringgold
  • "Flossie & the Fox" by Patricia C. McKissack, Illustrated by Rachel Isadora
  • "Flower Garden" by Eve Bunting, Illustrated by Kathryn Hewitt
  • "Why Mosquitoes Buzz in People's Ears" by Verna Aardema, Illustrations by Leo and Diane Dillon
  • "The Village Basket Weaver" by Jonathan London, Illustrated by George Crespo
  • "The Talking Eggs" by Robert D. San Souci, illustrated by Jerry Pinkney
I also have storybooks about children who live in Japan, China and India:
  • "The Crane Maiden" by Miyoko Matsutani, Illustrated by Chihiro Iwasaki
  • "The Boy Who Drew Cats" by Arthur A. Levine, illustrated by Frederic Clement
  • "The Sheep Of The Lal Bagh" by David Mark, Illustrated by Lionel Kalish
  • "Tikki Tikki Tembo" retold by Arlene Mosel, Illustrated by Blair Lent
  • "The Bicycle Man" by Allen Say
I have also begun to collect books about immigrant children from countries like Germany and Poland who have moved to the United States:
  • "Up The Hill" collected short stories by Marguerite De Angeli - these chapters are about Polish immigrant children. (Doubleday, Doran & Company, 1942)
  • "The Pennsylvania Dutch Craftsmen and Farmers" by Eva Deutsch Costabel

Individualized Education Programs In Art

"Guide to Writing Quality Individualized 
Education Programs," by Gordon S. Gibb
 and Tina Taylor Dyches.
      Below I have listed the necessary links to agencies art teachers will need to visit often in order to maintain current resources for students, faculty and parents. Information found at these agencies is instrumentally important for the proper development of individualized education programs in art classrooms. I also recommend for art teachers, "Guide to Writing Quality Individualized Education Programs," by Gordon S. Gibb and Tina Taylor Dyches. This second edition published by Pearson, Allyn and Bacon may be used as a reference for the writing of IEPs in the art classroom. This page has been posted in 2010, so make sure to always ask and purchase the most current edition of this manual. This is very important when selecting literature about IEPs because the state and national mandates concerning special education can and do change over time. I will keep the links current under this post and add to them whenever I find links that I believe to be helpful to the topic. I will also keep quality religious links here as well for those of you who may be working for a parochial school. I believe that both our state and private educators can and should work together to improve education for all of the children in the state of Missouri.

State of Missouri Agencies For Children with Disabilities Links
Parent Training Organization Links In The Midwest
Important Service Links For The Blind in Missouri and Nation Wide
Special Libraries & Reading Services Links Nation Wide
Important Service Links For The Deaf and Hard of Hearing In Missouri
The Telecommunications Relay Services
(800) 735-2466 (V)
(800) 735-2966 (TTY); 711 (TTY)
(877) 735-7877 (Speech to Speech)

Important links to Autism Services in Missouri
Important links to Brain Injury Services in Missouri
Important links to Cerebral Palsy in Missouri
Important links to Spina Bifida in Missouri
Important links to Epilepsy in Missouri

Thursday, December 23, 2010

the "elements of art" is kindergarten material

 

      Design elements can be found in the most obvious visual and tactile characteristics of any given person, place or thing. I have included in this article excellent books that may be read aloud in your classroom that will aid kindergarten students in the study of these seven principles. These exercises may then be repeated with more advanced art projects in 1rst and 2nd grade.
      Reading aloud to your classroom has many benefits. Introducing topics with a story will help young students to understand the important part of a lesson. This actually works with adults as well, but for now, we're talking about little folk. I prefer to read a book aloud in a kindergarten classroom because it helps to develop social skills. If students learn how to engage themselves with teachers in institutional environments at an early age, they will be more likely to repeat the same behaviors as they mature. Reading aloud gives me an opportunity to demonstrate and discuss with my students 'how' proper conduct is practiced as well as affording an excellent visual and verbal explanation for the concept I am teaching to them.

1. The Element of Space - "Space is the area provided for a particular purpose. It may have two dimensions (length and width), such as a floor, or it may have three dimensions (length, width, and height). Space includes the background, foreground and middle ground. Space refers to the distances or areas around, between or within components of a piece. There are two type of space: positive and negative space. Positive space refers to the space of a shape representing the subject matter. Negative space refers to the space around and between the subject matter."  
       Art teachers may demonstrate the concepts of space through the sharing of Ron Van Der Meers' pop-up book, "How Many, Spectacular Paper Sculptures." Other pop-up books may work just as well but I chose this one in particular because there are many geometric concepts in it that can also be discussed when you are teaching about the element of shape as well. Discuss with the students how space is represented and move your fingers in and out of the pop-ups while you are talking. 
      Another way to refer to space when speaking to children is to say that space describes "air." There is air that is outside and air that is inside. There is air in our lungs and air that is in balloons too! Air  like space are everywhere. Space describes the place where air is at.
 
2. The Element of Line - "Line is the basic element that refers to the continuous movement of a point along a surface, such as by a pencil or brush. The edges of shapes and forms also create lines. It is the basic component of a shape drawn on paper. Lines and curves are the basic building blocks of two dimensional shapes like a house's plan. Every line has length, thickness, and direction. There are curve, horizontal, vertical, diagonal, zigzag, wavy, parallel, dash, and dotted lines."

      The concept of line may be introduced through the classic children's book, "Harold and The Purple Crayon," by Crockett Johnson. There is an old film made of this children''s book. Visitors can watch it at teachertube to review the book before purchasing it. Young students will enjoy making all kinds of lines on their art projects but you can also demonstrate line by stringing yarn all over the classroom while you are talking or as they are watching the video. Then return to the art project and talk about what a line can do on paper.

3. The Element of Color - "Color is seen either by the way light reflects off a surface, or in colored light sources. Color and particularly contrasting color is also used to draw the attention to a particular part of the image. There are primary colors, secondary colors, and tertiary colors. Complementary colors are colors that are opposite to each other on the color wheel. Complementary colors are used to create contrast. Analogous colors are colors that are found side by side on the color wheel. These can be used to create color harmony. Monochromatic colors are tints and shades of one color. Warm colors are a group of colors that consist of reds, yellows, and oranges. Cool colors are group of colors that consist of purples, greens, and blues."
      Ellen Stoll Walsh wrote a charming little book called, "Mouse Paint." This book introduces color through the playful antics of three frightened mice! It's a must have for every elementary school art teacher. Have some mouse stamps or footprint stamps for students to use with finger paints after you read about color in this book.

4. The Element of Shape - "A shape is defined as an area that stands out from the space next to or around it due to a defined or implied boundary, or because of differences of value, color, or texture. Shapes can also show perspective by overlapping. They can be geometric or organic. Shapes in house decor and interior design can be used to add interest, style, theme to a design like a door. Shape in interior design depends on the function of the object like a kitchen cabinet door. Natural shapes forming patterns on wood or stone may help increase visual appeal in interior design. In a landscape, natural shapes, such as trees contrast with geometric such as houses."
      "It Looked Like Spilt Milk," by Charles G. Shaw, introduces the concept of shape wonderfully to small students. It also comes as a 'big book' which is very helpful to a classroom teacher when sharing a visual aid or story with a large group of students. Teachers may view "Miss Tracy" as she reads aloud this book on the youtube. Follow up with a paper collage project using blue and white papers. Students may wish to talk about the shapes they see in the clouds outside as they tear their own shapes for this project. 
      A more structured activity can be performed by printing out shapes of animals ahead of time on white typing paper. Instruct the students to tear the shape out along the lines' edge (contour). This type of manipulation develops eye-hand coordination. 
      It is important to remember that some art activities, such as the second one I mention above, are based primarily in methods. These are less creative but as long as a teacher clearly understands that creativity should be fostered as well and doesn't penalize it, then the methods projects will be seen as an important means to an end. It is only when art teachers insist upon the regulatory skills exceeding in value over creativity, that students, parents, and scholars appose their teaching practices.

5. The Element of Texture - "Texture is perceived surface quality. In art, there are two types of texture: tactile and implied. Tactile texture (real texture) is the way the surface of an object actually feels. Examples of this include sandpaper, cotton balls, tree bark, puppy fur, etc. Implied texture is the way the surface on an object looks like it feels. The texture may look rough, fizzy, gritty, but cannot actually be felt. This type of texture is used by artist when drawing or painting."

     There are many tactile books on the market, most of these are designed for infants. If I find an age appropriate one in the future, I will include it here. Have many objects to pass around the room that demonstrate different textures to the students. Let them hold these, feel them, and describe the textures to their peers. Then talk about how texture can be 'illustrated in a picture' but not always felt.

6. The Element of Form - "Form is any three dimensional object. Form can be measured, from top to bottom (height), side to side (width), and from back to front (depth). Form is also defined by light and dark. There are two types of form, geometric (man-made) and natural (organic form). Form may be created by the combining of two or more shapes. It may be enhanced by tone, texture and color. It can be illustrated or constructed."

      Corinne Demas Bliss writes the story of a little lost doll called, "The Littlest Matryoshka," that introduces a the more complex element of form. Have on hand a few examples of 'stackable toys' to show your young students. Show and explain that form is always 3 dimensional. It is different from shape because it describes a person place or thing as though it looks like you could actually move around it, inside of it, on top of it, etc...
      Another way to reinforce this concept is to have an example of a paper toy that has not been assembled. Talk with the students about how it has shapes of things on its' surface. Then, fold it properly in front of the class and talk about how the toy is now an example of form, because it has dimensions that look as though they can move through space. With this concept in mind, teachers can introduce certain ideas about how the elements relate to one another.

7. The Element of Value - "Value is an element of art that refers to the relationship between light and dark on a surface or object and also helps with Form. It gives objects depth and perception. Value is also referred to as tone."

      My favorite children's book to read that introduces the element of value is, "The Z Was Zapped," by Chris Van Allsburg. Value can be tricky to teach if you do not have clear examples of value placed next to examples of black and white prints. However, if your show these together, a young child will clearly see the difference between the two. 
      Value is usually taught to older students through gradiation projects. Although gradiation is too difficult a technique to teach to little ones, they can clearly be taught to recognize gradiation in pictures. Sometimes a visual example can speak volumes where words can not. I've included a visual below of my story selection and what it might look like if the 'values' of the image were removed.




(Definitions "" are from Wikipedia.org, the public domain encyclopedia)

    my favorite poetry collections for children


    "Children's poetry is poetry written for or appropriate for children. The category includes folk poetry (for example, Mother Goose rhymes); poetry written intentionally for young people (e.g. Shel Silverstein); poetry written originally for adults, but appropriate for young people (Ogden Nash); and poems taken from prose works (Lewis Carroll, Rudyard Kipling).''
          My youngest child was and still is very fond of poetry. I read poetry to her for countless hours all throughout her childhood. I've listed below just a few of her favorite books of poems from our personal library. All of these collections are classics and would be perfect additions to any child's book shelf.
    • "Under The Sun And The Moon" and other poems by Margaret Wise Brown is illustrated by a exceptional illustrator, Tom Leonard - "a collection of previously unpublished poems, including "Apple Trees," "From a Hornet's Nest," and "I Dreamed of a Horse." publisher
    • "Sleep, Baby, Sleep, Lullabies And Night Poems" selected classic poems for illustration by Michael Hague
    • "A Child's Garden of Verses" by Robert Louis Stevenson, Illustrated by Alice and Martin Provensen
    • "Falling Up" by Shel Silverstein
    • "Marigold Garden" by Kate Greenway
    • "Walking the Bridge of Your Nose" poems selected by Michael Rosen, Illustrated by Chloe Cheese - "A collection of limericks and other humerous poems, arranged in such categories as "Mouth Manglers," "Silly Patter," and "Tombstone Tomfoolery." publisher
    • "The Real Mother Goose" fist published in 1916, ours is illustrated by Blanche Fisher Wright
    Here are a few selections that are based on one poem only:
    • "Squeeze A Sneeze'' by Bill Morrison
    • "Teddy Bear Teddy Bear" illustrated by Michael Hague
    • "I Can't Said The Ant" by Polly Cameron
     

    Wednesday, December 22, 2010

    beautifully illustrated fairy tales

          A fairy tale is a fictional story that may feature folkloric characters such as fairies, goblins, elves, trolls, giants, and talking animals, and usually enchantments, often involving a far-fetched sequence of events. In modern-day parlance, the term is also used to describe something blessed with princesses, as in "fairy tale ending" (a happy ending) or "fairy tale romance", though not all fairy tales end happily. Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story. Fairy tales commonly attract young children since they easily understand the archetypal characters in the story. 
          In cultures where demons and witches are perceived as real, fairy tales may merge into legendary narratives, where the context is perceived by teller and hearers as having historical actuality. However, unlike legends and epics they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
          Fairy tales are found in oral folktales and in literary form. The history of the fairy tale is particularly difficult to trace, because only the literary forms can survive. Still, the evidence of literary works at least indicates that fairy tales have existed for thousands of years, although not perhaps recognized as a genre; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy. Literary fairy tales are found over the centuries all over the world, and when they collected them, folklorists found fairy tales in every culture. Fairy tales, and works derived from fairy tales, are still written today.
          The older fairy tales were intended for an audience of adults as well as children, but they were associated with children as early as the writings of the précieuses; the Brothers Grimm titled their collection Children's and Household Tales, and the link with children has only grown stronger with time. 
          Folklorists have classified fairy tales in various ways. Among the most notable are the Aarne-Thompson classification system and the morphological analysis of Vladimir Propp. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales. Wikipedia.org

    The Most Beautifully Illustrated Fairy Tale Books in My Collection:
    • "The Rainbabies" by Laura Krauss Melmed is illustrated by Jim LaMarche - "When the moon gives twelve tiny babies to a childless couple the new parents take great care of their charges and eventually receive an unexpected reward." publisher
    • "Snow White" by Jacob and Wilhelm Grimm is illustrated by Charles Santore - "The beautiful princess whose lips were red as blood, skin as white as snow, and hair was black as ebony." publisher
    • "Little Red Riding Hood" as told by Della Rowland is illustrated by Michael Montgomery
    • "The Snow Queen" by Hans Christian Andersen is illustrated by Mary Engelbright - "After the Snow Queen abducts her friend Kay, Gerda sets out on a perilous journey to find him." publisher
    • "Rumpelstiltskin" retold and illustrated by Paul O. Zelinsky - "A strange little man helps the miller's daughter spin straw into gold for the king on the condition that she will give him her firstborn child." publisher
    • "Goldilocks" by Dom De Luise is Illustrated by Christopher Santoro - "The well-known comedian presents his own rendition of the folktale with a slightly different twist at the end." publisher
    • "Goldilocks and The three Bears" retold and illustrated by Jan Brett
    • "Cinderella" retold and illustrated by the fantastic artist, David Delamare
    • "Rapunzel" by Paul O. Zelinsky
    • "The Twelve Dancing Princesses" as told by Marianna Mayer, Illustrated by K. Y. Craft
    Big collections of old fairy tales parents can print and read aloud to their children from internet resources:
    Stories about princesses with common sense, patience and intelligence too.
    • "The Practical Princess" by Jay Williams and Illustrated by Friso Henstra - This book is probably out of print. You will need a book dealer to find it for you. It is definitely worth the pursuit, the book has long been a favorite of our children.
    • "Princess Abigail And The Wonderful Hat" by Steven Kroll and Illustrated by Patience Brewster

    Sunday, December 19, 2010

    games for art classrooms


          Above is a picture of some art cards that I made for my classroom. Teachers can easily collect images from free clipart resources to craft their own. I use this set to play a game similar to "Concentration."

    My African Mask Card Deck depicts different indigenous people's art as black and white line drawings only. For this exercise, students are asked to sort their decks of cards according to the tribe of peoples they believe crafted the artifacts. The game requires focus and careful study of geometrical elements, symbols, and unique markings included on every card depicting an object. Below I have included the drawings and their eight tribal affiliations. Teachers read the Terms of Use for clipart here at my journal before downloading these drawings to craft a deck of your own.
    1. Papuan Clipart Gulf Artifacts
    2. Central Clipart Mexico Artifacts
    3. Nigeria Clipart Artifacts
    4. Kwakiuti Clipart Artifacts
    5. Senufo Clipart Artifacts
    6. Mali Clipart Artifacts
    7. Angola Clipart Artifacts
    8. Mende Clipart Artifacts

         I will keep a linking list below of board games and card games that are good to keep on hand for your art students should they finish projects early. These games all reinforce topics that are related to materials taught in the art class room.

    Board Games and Card Games For Art Classrooms:

    Fun Art Games For Kids Online: If your students are allowed to access these art games online, they will discover new and create ways to remember and understand art and art history with many of these web games.

    Saturday, December 18, 2010

    a productive visit to the art museum

     

          A Museum docent is a title used in the United States for educators trained to further the public's understanding of the cultural and historical collections of the institution, including local and national museums, zoos, historical landmarks, and parks. In many cases, docents, in addition to their prescribed function as guides, also conduct research utilizing the institution's facilities. They are normally volunteers.
          Prospective docents generally undergo an intensive training process, at the expense of the educational institution, which teaches them good communicative and interpretive skills, as well as introduces them to the institution's collection and its historical significance. They are also provided with reading lists to add to the basic information provided during training, and must then "shadow" experienced docents as they give their tours before ultimately conducting a tour on their own. 
          Museum docents are not, however, trained art historians and should not be considered as such. What visitors should consider is that the docent is better equipped to draw students into discussion and guide them through the collection. But, a docent is not always well read or has not always studied with the intensity of a professional scholar. Docents also have their own opinions and sometimes are too prejudicial about the artworks they discuss. Be selective about who conducts tours for your classroom. Sometimes it is best to ask for transcripts of tours prior to your students participating in them. Teachers should tour a collection if possible, prior to their students' visit to the museum. I've listed below some important points to consider before taking your students on a museum field trip.
    1. Make sure the information being shared is age appropriate.
    2. Make sure the topic covered shares some relevant connection with the materials you will cover during class.
    3. Know when enough is enough! Some students are too young to stand and listen to a docent for long periods of time. Make sure the tour is not too long!
    4. Know where the toilets and water fountains are located. Take breaks often for young students.
    5. Have plenty of parent helpers to accompany students on your field trip.
    6. Give students partners or have some kind of a system planned out in order to keep track of who is where at all times.
    7. Make sure students are not hungry before your guided tour.
    8. Give a simple lesson plan about museums or art galleries a day or two prior to visiting the institution so that students will behave better and also know what they are looking at.
    9. Discuss and role play in advance the appropriate behavior you expect every student to demonstrate during their visit.
    10. Reassure students, parents, and helpers that a museum visit involves "the study" of multiple cultures and prepare them properly for this experience in advance. To study something or someone does not mean that you necessarily expect others to participate in activity that they are uncomfortable with. In order to study culture properly, students are made aware of the whats, whens, hows and wheres of people that may be different from themselves. However, this does not mean that they are expected to mirror and accept the values and practices of those cultures in order to make excellent grades. A professional art educator can help students make personal connections with artworks and artists without compromising the students' freedom to choose what they wish to believe. They can also teach art history and assess whether or not a student knows the facts without requiring those same students to be indoctrinated in beliefs that they do not agree with.