Showing posts with label Art Movements. Show all posts
Showing posts with label Art Movements. Show all posts

Saturday, May 18, 2013

teaching art movements: street art

      Street art is art, specifically visual art, developed in public spaces — that is, "in the streets" — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, sculpture, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.

Traditional street painting on a whole new level. 

      Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them. John Fekner defines street art as "all art on the street that’s not graffiti".

Riverdance flashmob in Central Station Sydney.

      Whereas traditional graffiti artists have primarily used free-hand aerosol paints to produce their works, "street art" encompasses many other media and techniques, including: LED art, mosaic tiling, murals, stencil art, sticker art, "Lock On" street sculptures, street installations, wheatpasting, woodblocking, video projection, and yarn bombing. New media forms of graffiti, such as projection onto large city buildings, are an increasingly popular tool for street artists—and the availability of cheap hardware and software allows street artists to become more competitive with corporate advertisements. Much like open source software, artists are able to create art for the public realm from their personal computers, similarly creating things for free which compete with companies making things for profit.

Yarnbombing
 
      Traditional graffiti also has increasingly been adopted as a method for advertising; its trajectory has even in some cases led its artists to work on contract as graphic artists for corporations. Nevertheless, street art is a label often adopted by artists who wish to keep their work unaffiliated and strongly political. Street artists are those whose work is still largely done without official approval in public areas.
      For these reasons street art is sometimes considered "post-graffiti" and sometimes even "neo-graffiti." Street art can be found around the world and street artists often travel to other countries foreign to them so they can spread their designs. Read more . . .

Street Art Documentary:
  • Rock Fresh (2004), a documentary film about the challenging world of the graffiti artist
  • RASH (2005), a feature length documentary by Mutiny Media exploring the cultural value of Australian street art and graffiti
  • Bomb It (2008), a documentary film about graffiti and street art around the world
  • Exit Through the Gift Shop (2010), a documentary created by the artist Banksy about Thierry Guetta
  • Roadsworth: Crossing the Line (2007), a documentary film about the legal struggle of Montreal street artist Roadsworth
  • Street Art Awards (2010), opening of the street art festival in Berlin
  • [Las Calles Hablan] (2013), Las Calles Hablan, a feature length documentary about street art in Barcelona

Sunday, May 29, 2011

teaching art movements: neo-minimalism


Richard Serra's Tilted Spheres in 
Terminal 1 Pier F at Toronto's YYZ airport
        Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called "neo-geometric" or "neo-geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-Pop, New Abstraction, Poptometry, Post-Abstractionism, Simulationism, and Smart Art.
      The aspects of "postmodern art" that have been described as neo-minimalism (and related terms) involve a general "reevaluation of earlier art forms." As its various titles indicate, the movement draws on earlier mid-to-late-20th century developments in Minimalist art, Abstract Expressionism and its offshoots, plus Pop Art, Op Art, and other threads of artistic development.
      Contemporary artists who have been linked to the term, or who have been included in shows employing it, include Jerry Brown, David Burdeny, Catharine Burgess, Marjan Eggermont, Paul Kuhn, Eve Leader, Tanya Rusnak, Daniel Ong, Laurel Smith, Christopher Willard, and Tim Zuck. The steel sculptures of Richard Serra have been described as "austere neo-Minimalism...."
  1. Richard Serra biography - Video includes works by Serra
  2. Tim Zuck - Article about Tim Zuck by Carol Fraser and Tim Zuck: Prints - A Retrospective
  3. Christopher Willard -Slide show of works by Christopher Willard
  4. Laurel Smith-Biography of Laurel Smith and Press Release Representing Laurel Smith
  5. Daniel Ong - Daniel Ong profile
  6. David Burdeny - photographic works  and David Burdeny Portfolio
  7. Marjan Eggermont - Eggermont's Biography and Marjan's Artist Documentary 
  8. Eve Leader - Collection at Agnes Bugera Gallery Inc.
  9. Tanya Rusnak - Telling Stories: Narratives of Nationhood

teaching art movements: fauvism

André Derain, Charing Cross Bridge, London, 1906, 
National Gallery of Art, Washington, DC
      Fauvism is the style of les Fauves (French for "the wild beasts"), a short-lived and loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Henri Matisse and André Derain.     
      Besides Matisse and Derain, other artists included Albert Marquet, Charles Camoin, Louis Valtat, the Belgian painter Henri Evenepoel, Maurice Marinot, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, the Dutch painter Kees van Dongen, the Swiss painter Alice Bailly, and Georges Braque (subsequently Picasso's partner in Cubism).
       The paintings of the Fauves were characterised by seemingly wild brush work and strident colours, while their subject matter had a high degree of simplification and abstraction. Fauvism can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat and other Neo-Impressionist painters, in particular Paul Signac. Other key influences were Paul Cézanne and Paul Gauguin, whose employment of areas of saturated color—notably in paintings from Tahiti—strongly influenced Derain's work at Collioure in 1905.

Links to Fauvism Art Lesson Plans

teaching art movements: orphism


Sonia Delauney "Prismes Electrique"
      Orphism or Orphic Cubism.  (1910-13) The term coined by the French poet Guillaume Apollinaire, was a little known art movement during the time of Cubism that focused on pure abstraction and bright colors influenced by Fauvism and the dye chemist Eugène Chevreul. This movement was pioneered by the Delaunays, a couple who relaunched the use of color during the monochromatic Cubist movement.
      The Orphists were rooted in Cubism but moved toward a pure lyrical abstraction, seeing painting as the bringing together of a sensation of bright colors. This movement is seen as the key in the revolution of Cubism to Abstraction. More concerned with the expression and significance of sensation, this movement retained recognizable subjects but was absorbed by increasingly abstract structures. Orphism aimed to gradually dispense with recognizable subject matter and to rely on form and color alone to communicate meaning. The movement also aimed to express the ideals of Simultanism-the existence of an infinitude of interrelated states of being. Pioneers in the movement, the Delaunays painted in response to Cubism, giving it their own spin.
Links to Orphism Art Lesson Plans

Wednesday, January 5, 2011

Teaching art movements, neo-classicism resources

Art Movement: Neoclassicism is the name given to quite distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of Ancient Greece or Ancient Rome). These movements were dominant during the mid-18th to the end of the 19th century
Date: mid-18th to late 19th century
Artists: Robert Smirke, Robert Adam, Antonio Canova, Jean-Atoine Houdon, Bertel Thorvaldsen, J.A.D. Ingres, Jacques-Louis David, and Anton Raphael Mengs
The Art Project Ideas:
Enhance The Experience:
  • Visit a local historical home influenced by neo-classical design.
  • Send students on a "photo scavenger hunt." Students can photograph or film architectural elements in their environment that are influenced by Greek and Roman classic designs.
  • Collect interesting articles about Neo-classical design for students to read.
Links To Art Lessons About Neo-Classical Design: