Showing posts with label Field Trips. Show all posts
Showing posts with label Field Trips. Show all posts

Saturday, December 18, 2010

a productive visit to the art museum

 

      A Museum docent is a title used in the United States for educators trained to further the public's understanding of the cultural and historical collections of the institution, including local and national museums, zoos, historical landmarks, and parks. In many cases, docents, in addition to their prescribed function as guides, also conduct research utilizing the institution's facilities. They are normally volunteers.
      Prospective docents generally undergo an intensive training process, at the expense of the educational institution, which teaches them good communicative and interpretive skills, as well as introduces them to the institution's collection and its historical significance. They are also provided with reading lists to add to the basic information provided during training, and must then "shadow" experienced docents as they give their tours before ultimately conducting a tour on their own. 
      Museum docents are not, however, trained art historians and should not be considered as such. What visitors should consider is that the docent is better equipped to draw students into discussion and guide them through the collection. But, a docent is not always well read or has not always studied with the intensity of a professional scholar. Docents also have their own opinions and sometimes are too prejudicial about the artworks they discuss. Be selective about who conducts tours for your classroom. Sometimes it is best to ask for transcripts of tours prior to your students participating in them. Teachers should tour a collection if possible, prior to their students' visit to the museum. I've listed below some important points to consider before taking your students on a museum field trip.
  1. Make sure the information being shared is age appropriate.
  2. Make sure the topic covered shares some relevant connection with the materials you will cover during class.
  3. Know when enough is enough! Some students are too young to stand and listen to a docent for long periods of time. Make sure the tour is not too long!
  4. Know where the toilets and water fountains are located. Take breaks often for young students.
  5. Have plenty of parent helpers to accompany students on your field trip.
  6. Give students partners or have some kind of a system planned out in order to keep track of who is where at all times.
  7. Make sure students are not hungry before your guided tour.
  8. Give a simple lesson plan about museums or art galleries a day or two prior to visiting the institution so that students will behave better and also know what they are looking at.
  9. Discuss and role play in advance the appropriate behavior you expect every student to demonstrate during their visit.
  10. Reassure students, parents, and helpers that a museum visit involves "the study" of multiple cultures and prepare them properly for this experience in advance. To study something or someone does not mean that you necessarily expect others to participate in activity that they are uncomfortable with. In order to study culture properly, students are made aware of the whats, whens, hows and wheres of people that may be different from themselves. However, this does not mean that they are expected to mirror and accept the values and practices of those cultures in order to make excellent grades. A professional art educator can help students make personal connections with artworks and artists without compromising the students' freedom to choose what they wish to believe. They can also teach art history and assess whether or not a student knows the facts without requiring those same students to be indoctrinated in beliefs that they do not agree with.

Monday, December 13, 2010

the conservation of artworks


      During week five of my Art at The Museum course, our class toured the conservation facilities of the St. Louis Art Museum. We listened to an expert in this field, Laura Gorman, discuss her methods and philosophy in artifact restoration. According to Gorman, museums decide to restore objects so that visitors may develop a superior visual comprehension of how artworks and objects looked and functioned when these were first made. 
      Ms. Gorman does not permanently alter the objects; every bit of paint and filler can be removed easily if curators should prefer to do so. Her work is really quite delicate and extraordinary. She matches colors perfectly. The students could not seriously discern between her work and the original fragments of the restored pottery she was working with. The restored object she had just completed, an incense burner, was a part of the Meso-American collection on display at the museum right now. 
      The museum also has lesson plan packets for sale. One of these is about museum conservation and restoration. I have not been able to locate it in their online shop. Teachers probably need to call instead to special order these materials from the museum. (314-721-0072)
      The video above is of a similar facility located in DC.. Including a unit lesson plan in your art classroom about museum conservation prior to a field trip to an art museum is a great idea. Curriculum such as this would help students to appreciate the collections they will view and develop a greater understanding of why collections are preserved and displayed in the first place.