Saturday, September 17, 2011

cut a construction paper frame

Side view of the project

Brief Description: This construction paper frame stands on its own and is an affordable way for children to display photos of their family around their room. Mrs. Lewis, a paper craft enthusiast, made a template for my teen daughter to use in the cutting of the window.

Supply List:
  • three sheets of solid colored paper
  • markers
  • an oval window template, included below (6 1/2 inches by 4 inches)
  • a favorite photograph (4 inches by 6 inches)
  • white craft glue
  • scissors
Directions:
  1. Use the template provided below to trace and cut out the front paper "mat" of your frame
  2. Then color the mat using simple shapes and bold colors.
  3. Cut a second mat just 1/8 to 1/4 inch larger than the first.
  4. Glue only the corners of your photograph onto this mat. Use minimal amounts of glue
  5. Then center the decorated mat on top of the second to frame your photograph as you like and glue down the edges only.
  6. Fold the remaining sheet of paper 15 inches by 7 inches into three equal parts.
  7. The end fold will have an additional fold of one inch so that this edge may be folded up and behind the frame and glued into place.
Additional Suggestions: I would advise using acid free papers and glues for this project in order to avoid damage to valuable photographs.

My daughter's finished version of the project.
This template may be downloaded and sized in a
word document to fit the above measurements.
Read the Terms of Use before using it folks.
photographs and written craft pages copyrighted by Grimm 2017 

More frames crafted from paper:

Friday, September 16, 2011

the golden rules of teaching according to peanuts!

The Peanuts gang by Charles M. Schulz. Top row: Woodstock, Snoopy, and
Charlie Brown Bottom row: Franklin, Lucy van Pelt,
Linus van Pelt, Peppermint Patty and Sally Brown
"Thoughts and Golden Rules on Education"
was found at a St. Louis Book Fair by my sister-in-law.
We couldn't bear the thought of seeing it tossed out!
It was apparently made for a very special principle, "Miss Hays."
Rule Number 1 - Don't Lose Your Cool.
Rule Number 2 - Answer every question no matter how strange,
inappropriate, or ridiculously stupid.
Rule Number 3 - Don't smile until after Christmas break.
Rule Number 4 - Encourage harmless fantasy
and creative goals.
Rule Number 5 - Recognize student accomplishments!
Rule Number 6 - Volunteer and expect the worst.
Then repeat the scenario frequently.
Rule Number 7 - Tell the student what to do by suggesting it
and then look surprised when he or she doesn't conform.
Rule Number 8 - Be prepared to reinvent yourself now and again.
Rule Number 9 - It's alright to get a bit excited
about the end of the school year.
Rule Number 9 - again
Rule Number 10 - Treat everybody the same,
even though their not,
the same that is.
Rule Number 11 - Establish your authority early in the game,
I mean school year.
Rule Number 12 - Education is always number one priority,
although education about life sometimes gets in the way.
Rule Number 13 - Educators know more about
meetings than CEOs do.
Rule Number 14 - Sometimes it is better to just "sleep it off."
Rule Number 15 - The joys of life should always be
remembered with great nostalgic affection.
Rule Number 16 - This rule is often forgotten.
What was that rule again?
Rule Number 16 - Oh, yeah,
never forget to butter both sides of your toast,
oh, I mean bread.
Rule Number 17 - Teachers and administrators should be best friends.
Rule Number 18 - Saturday is the principle's day off!
Rule Number 19 - Secretaries rule, the rest of us drool.
Rule Number 20 - Principals should answer all questions.
Rule Number 21 - Teachers get fired if they don't know everything.
Rule Number 22 - Integrity, tenacity, accuracy always.
Rule Number 23 - A happy administrator,
makes for happy holidays.
Rule Number 24 - Learners inherit the Earth,
even when you least expect it.
Rule Number 25 - Always at all times
and in all places
be
appreciative.

More Links To Peanuts:

Thursday, September 15, 2011

Famous North American Painters Students Should Know?

Question: Could you list famous North American painters you think students should be able to identify by the time they graduate from high school and also show a sample of their work?
Answer: Well, if they could recognize these painters, they really would be well educated. Unfortunately, students educated in American public schools are far more familiar with Western European painters. There are many more painters I would include in this list but can not for fear of violating copyrights. Artists like Fritz Scholder, he is also an exquisite painter but I haven't any jpgs. of his work.

Albert Bierstadt, "The Rocky Mountains, 
Lander's Peak", 1863, Hudson River School
James McNeill Whistler, Arrangement in 
Grey and Black: The Artist's Mother (1871)
popularly known as Whistler's Mother,
Musée d'Orsay, Paris. Read his letters here.
Edward Hicks, "The Peaceable Kingdom"
(1826), National Gallery of Art, Washington, DC
"A Bigger Splash", by David Hockney
1967, Tate Collection, London.
"Keith" by Chuck Close in
The Saint Louis Art Museum
"Washington Crossing the Delaware" is by German American artist Emanuel Gottlieb Leutze. It commemorates General George Washington's crossing of the Delaware River on December 25, 1776, during the American Revolutionary War. That action was the first move in a surprise attack against the Hessian forces at Trenton, New Jersey in the Battle of Trenton. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City. There are many copies of the painting, one of which is in the West Wing reception area of the White House.

"American Gothic" is a painting by Grant Wood,
in the collection of the Art Institute of Chicago.
"The Builders" by Jacob Lawrence
"Boston Cream Pies" by Wayne Theibaud
in the South Dakota Art Museum

"Christina's World" by Andrew Wyeth is now
at The Museum of Modern Art, New York City
"Black Mesa Landscape" by Georgia
O'Keeffe in the Georgia O'Keeffe Museum.
O'Keeffe painted the majority of her landscapes
at Ghost Ranch where she lived out the later part of her life.

"Nighthawks" by Edward Hopper is one of
his best known works, Art Institute of Chicago
"Little Girl in a Blue Armchair" by Mary
Cassatt is at The National Gallery of D.C.
Charles Demuth (1883-1935)
The Figure 5 in Gold (1928)
Alfred Stieglitz Collection
Metropolitan Museum of Art
Thomas Hart Benton's "Lord Heal This Child"
preliminary painting, in a private collection
"Beyond the Easel" self-portrait and boy scouts
of America by Norman Rockwell
abstract by Willem de Kooning (1957)
"Gloucester Harbor," 1873, oil on canvas by Winslow Homer.
Nelson-Atkins Museum of Art
Robert Rauschenberg, untitled "combine," 1963.

Wednesday, September 14, 2011

any suggestions for a storybook about weaving?


"The Village Basket Weaver" by London
Question: Can you think of a book that I could read aloud to my elementary students before we start a weaving project?
Answer: "The Village Basket Weaver" is an excellent introduction to weaving and island culture in the Caribbean. I've included here an introductory lesson for this storybook.

Teacher: Mrs. Grimm
Subject: Art Appreciation
Level: 4th -6th grade
Topic: The Importance of Heritage
Standards: Show-Me Standards for Missouri Schools
Strand I: Product Performance – communicate ideas about subject matter and themes in artworks created for various purposes
·  Create an original artwork that communicates ideas about the following themes – Functions of Art in Culture and Personal Identity
Strand IV: Interdisciplinary Connections – Explain the connections between Visual Art and Communication Arts, Math, Science or Social Studies
·  Explain how artworks reflect the cultures in which they were created
Advance Organizer: A young boy approximately 10 or 11 years old who lives in the Caribbean in a small fishing village, feels that the old ways of his grandfather, a basket weaver by trade, will be forgotten.
Objectives:
·  The teacher will read aloud a story called “The Village Basket Weaver,” so that the students may draw conclusions about village life, culture and traditions of the Black Carib people living in a sea village of Central America. It is expected that 80% of students will demonstrate proficiency at the GLE level.
·   Students will distinguish the characteristics of a cassava basket and compare it’s differences and similarities to baskets they are most familiar with. It is expected that 80% of students will demonstrate proficiency at the GLE level.
Materials Needed:
  • The book, “The Village Basket Weaver,” by Jonathan London
  • Drawing pencils
  • Every student should get a Xerox copy of the worksheet included with this lesson plan and one piece of blank white drawing paper.
  • A slide show prepared ahead of time about baskets.
Phase 1: Introduction: Because we will be making sample baskets in the future, I will be reading a story today about a basket weaver and the life-style he wishes to pass on to his grandson. I am sure that most of you are familiar with different types of baskets found in American homes and how these are frequently used. This book that I’m going to read aloud describes cassava baskets used in the Caribbean by bakers. It also describes in great detail the culture of these village fishermen as well. Listen carefully to the story so that you will be prepared to describe what you hear on a worksheet you will be filling out after the story is read.
Phase 2: Show a slide presentation of baskets and review orally the questions below about the story with the students.
  • What does it mean to “inherit a tradition?” The teaching of information from the older people to the younger.
  • What is the Caribbean culture like in the story? Students may give a wide variety of answers concerning this content, such as: people work under thatched roofs, their bread was not purchased at a store, villagers lived by the beach, people catch fish for a living, village children want to work on farms and drive tractors, the local rooster wakes people up in the morning, Tavio lives in a one-room house, etc…
  • Can you describe what a cassava basket looks like and what is used for.  A cassava basket is long and narrow and stretches while it is filled up cassava pulp so that poisonous juices will be drained out of the bottom.
Phase 3: Present learning materials: On the worksheet there are a list of questions that I want you to answer and turn in tomorrow along with a drawing of a cassava basket and another basket that you may find in your home, in a magazine, or on the internet. Take the rest of the time in class to focus on answering the questions. You may work with a partner if you prefer. Please speak softly between yourselves as you work. I’ve included with your worksheets a blank piece of write paper for your drawing assignment. 
Below are the questions about “The Village Basket Weaver” by Jonathan London.  Please fill out the worksheet with complete sentences and bring it into the next class period to share with your peers! (Teachers will need to swipe the questions and put into a Word document and add spaces.)

  1. What kind of basket did Tavio help his grandfather weave and what was it used for?
  2. What was the village school like compared to our school?
  3. Describe the Culture of the Caribbean children in the story. 
  4. What did Tavio want to inherit from his grandfather?
  5. What will you hope to inherit from your parents or relatives someday?
  6. Based upon the story that was read in class, what do you think our next art project will be about? 
Phase 4: Application: The following session the students will discuss and compare with each other the answers they gave on the worksheet. We will also tack the drawings of baskets up on the board and make comparisons between the illustrated baskets. I will then collect their work and grade it. Next, I will then introduce a new art lesson about weaving.

Written content is original to Donna Grimm copyright 2009